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Painting --- sculpture [visual works] --- painting [image-making] --- Realist [modern European fine arts styles] --- Expressionist [style] --- Symbolist --- expressionisme --- realisme --- schilderkunst --- symbolisme --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- Flanders
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Art --- paintings [visual works] --- drawings [visual works] --- sculpture [visual works] --- human figures [visual works] --- portraits --- Spilliaert, Leon --- Minne, George --- symbolisme --- expressionisme --- Spilliaert, Léon --- Maeterlinck, Maurice --- 19de eeuw --- 20ste eeuw --- België --- Europa
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Maeterlinck, Maurice --- Minne, George --- Minne, George, --- Maeterlinck, Maurice, --- kunst --- literatuur --- België --- Gent --- Minne George --- Maeterlinck Maurice --- symbolisme --- kunst en literatuur --- Duitsland --- beeldhouwkunst --- grafiek --- boeken --- illustraties --- Parijs --- tekenkunst --- schetsboeken --- 73.071 MINNE --- 741.071 MINNE --- 76.71 MINNE --- 76 MINNE, GEORGES --- 76:655.5 --- Grafische kunsten. Grafiek. Prentkunst--MINNE, GEORGES --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Exhibitions --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- 73.07 --- 75.07 --- 741.07 --- Beeldende kunst en literatuur ; G. Minne ; M. Maeterlinck en tijdgenoten --- Beeldende kunst ; symbolisme --- Fin-de siècle --- Minne, George 1866-1941 (°Gent, België) --- Maeterlinck, Maurice 1862-1949 (°Gent, België) --- Tentoonstellingscatalogi ; Gent ; Museum voor Schone Kunsten --- Beeldhouwkunst ; beeldhouwers A - Z --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Dutch literature --- Street children --- Morocco --- Tanger Peninsula (Morocco) --- Personal narratives --- Children's drawings --- Catalogs --- drawings [visual works] --- Dijck, Van, Bart --- Tangier --- CDL --- symbolisme. --- Minne, George. --- Maeterlinck, Maurice. --- 19de eeuw. --- 20ste eeuw. --- België. --- Parijs. --- Duitsland. --- Wenen.
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Moreau, Gustave --- Painting --- watercolors [paintings] --- painting [image-making] --- anno 1800-1899 --- France --- Catalogues d'expositions --- Moreau, G. --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- Symbolism in art --- Art, French --- Symbolisme dans l'art --- Art français --- Exhibitions --- Expositions --- Moreau, Gustave, --- Exhibitions. --- Peintre --- 19e siècle --- 7.071 MOREAU, GUSTAVE --- Gustave Moreau 1826-1898 (° Parijs, Fr.) --- Schilderkunst ; 19de eeuw ; Gustave Moreau --- Schilderkunst ; Symbolisme --- 75.07 --- (069) --- [red. Anke van der Laan] --- schilderkunst --- Moreau Gustave --- negentiende eeuw --- 75.071 MOREAU --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--MOREAU, GUSTAVE --- Schilderkunst ; schilders --- (Musea. Collecties) --- -Exhibitions --- Art français --- ギユスターヴ, --- Kunstliefhebbers --- Moreau, Gustave, - 1826-1898 - Exhibitions --- Moreau, Gustave. --- Moreau, Gustave, - 1826-1898
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History of civilization --- angels [spirits] --- Iconography --- cultuurgeschiedenis --- godsdienst --- bijbelfiguren --- religieuze kunst --- bijnadoodervaringen --- religious art --- religions [belief systems, cultures] --- thema's in de kunst --- Christian dogmatics --- engelen --- theme --- Anges --- Arts religieux --- Engelen --- Religieuze kunst --- #gsdb4 --- 235.1 --- 246.6 --- 75.046.3 --- #GGSB: Religieuze kunst --- #GGSB: Volksreligie (volksreligiositeit / devotie) --- kunstboek --- overzicht --- geschiedenis --- engelen (x) --- C6 --- kunstwetenschap --- evangelie --- jodendom --- islam --- C3 --- Goede engelen --- Symbolisme in de christelijke kunst --- Religie in de schilderkunst. Heiligenbeelden --- Opvoeding, onderwijs, wetenschap --- Kunst en cultuur --- 75.046.3 Religie in de schilderkunst. Heiligenbeelden --- 246.6 Symbolisme in de christelijke kunst --- 235.1 Goede engelen --- Volksreligie (volksreligiositeit / devotie)
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Fernand Khnopff 1858-1921 (° Grembergen, B.) --- Schilderkunst Symbolisme Fernand Khnopff --- Les Vingt (Les XX) --- Belgische kunstenaars --- Tentoonstellingscatalogi Brussel Paleis voor Schone Kunsten --- 75.07 --- (069) --- Schilderkunst schilders --- (Musea. Collecties) --- Khnopff, Fernand --- 75 KHNOPFF, FERNAND --- 75 KHNOPFF, FERNAND Schilderkunst--KHNOPFF, FERNAND --- Schilderkunst--KHNOPFF, FERNAND --- Exhibitions --- Schilderkunst ; Symbolisme ; Fernand Khnopff --- Tentoonstellingscatalogi ; Brussel ; Paleis voor Schone Kunsten --- Schilderkunst ; schilders --- Drawing --- Painting --- Book history --- Graphic arts --- religions [belief systems, cultures] --- posters --- illustrations [layout features] --- Symbolist --- Art styles --- Iconography --- painting [image-making] --- drawing [image-making] --- Medusa --- anno 1900-1909 --- anno 1800-1899 --- Medusa [Mythological character] --- 75.071 KHNOPFF --- CDL --- Khnopff, Fernand.
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While impressionism was rampant in Belgium around 1900, a number of artists in Ghent resisted capturing fleeting impressions. Together with young intellectuals, they also oppose capitalism and increasing industrialization. One by one they leave the city and settle in the neighboring village on the Leie: Sint-Martens-Latem. In the twilight years of Symbolism, the artists immerse themselves in nature and rural life, in search of originality and depth. For their work they use stylistic devices from the past, but their art is authentic and refreshing. Never before has the first Latem artist colony in the Netherlands been given full exposure. The book accompanying the exhibition in the Noordbrabants Museum focuses mainly on the work of prominent members George Minne, Valerius de Saedeleer and Karel Van de Woestijne. More than sixty paintings, drawings and sculptures provide a picture of this important group of artists in Flanders at the beginning of the twentieth century. Exhibition: Noordbrabants Museum, Den Bosch, The Netherlands (10.07.-09.10.2022). Terwijl rond 1900 het impressionisme hoogtij viert in België, zet een aantal kunstenaars in Gent zich af tegen het vastleggen van vluchtige indrukken. Samen met jonge intellectuelen keren zij zich ook tegen het kapitalisme en de toenemende industrialisering. Eén voor één trekken zij weg uit de stad en vestigen zij zich in het naburige dorp aan de Leie: Sint-Martens-Latem. In de nadagen van het symbolisme verdiepen de kunstenaars zich in de natuur en het landleven, op zoek naar oorspronkelijkheid en verdieping. Voor hun werk grijpen zij naar stijlmiddelen uit het verleden, maar hun kunst is authentiek en verfrissend. Nooit eerder werd de eerste Latemse kunstenaarskolonie in Nederland in de volle breedte belicht. Het boek bij de tentoonstelling in het Noordbrabants Museum richt zich voornamelijk op het werk van de prominente leden George Minne, Valerius de Saedeleer en Karel Van de Woestijne. Ruim zestig schilderijen, tekeningen en beeldhouwwerken geven een beeld van deze belangrijke kunstenaarsgroep in Vlaanderen aan het begin van de twintigste eeuw.
Art --- symbolism [artistic concept] --- anno 1800-1899 --- Flanders --- Symbolist --- Belgium --- anno 1900-1909 --- anno 1910-1919 --- Sint-Martens-Latem --- Sint-Martens-Latem (Group of artists) --- Artist colonies --- Symbolism in art --- Art colonies --- Artists' colonies --- Colonies, Artist --- Artists --- Laethem-Saint-Martin (Group of artists) --- Laethem-Saint-Martin school --- Latem Saint-Martin (Group of artists) --- Sint-Martens-Laethem (Group of artists) --- Art, Belgian --- symbolisme --- kunstenaarsdorpen --- kunstenaarskolonies --- School van Pont-Aven --- kunstenaarskolonie Worpswede --- Vlaanderen --- Minne, George --- Saedeleer, Valerius de --- Woestijne, Karel van de --- symbolisme. --- kunstenaarsdorpen. --- kunstenaarskolonies. --- School van Pont-Aven. --- kunstenaarskolonie Worpswede. --- Sint-Martens-Latem. --- Vlaanderen.
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"Gustave Moreau (1826-1898) was one of the most influential and idiosyncratic painters of the nineteenth century. He developed a reputation as an artistic hermit, committed to a highly personal vision of painting that combined myth, mysticism, history, and a fascination with the bizarre and exotic. Yet Moreau was also a prominent public figure in the Paris art world, winning praise for exhibits at the Salon, becoming a respected teacher at the Ecole des Beaux-Arts, and exerting a powerful influence on Henri Matisse, Georges Rouault, and the schools of Symbolism and Surrealism. This book, published to coincide with a spectacular international exhibition that marks the centenary of Moreau's death, presents a wide range of the artist's most famous and beautiful works along with penetrating essays and catalogue entries that explain his unique achievements in all their intellectual complexity and visual richness"--
Drawing --- Painting --- Symbolist --- Art styles --- painting [image-making] --- Moreau, Gustave --- anno 1900-1909 --- anno 1800-1899 --- France --- 7.071 MOREAU, GUSTAVE --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--MOREAU, GUSTAVE --- Painting, French --- Symbolism (Art movement) --- Peinture française --- Symbolisme (Mouvement artistique) --- Moreau, Gustave, --- Peinture française --- prints [visual works] --- Exhibitions. --- Expositions --- CDL --- 75.071 MOREAU --- ギユスターヴ, --- Exhibitions --- Moreau, Gustave.
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Art styles --- Art --- Drawing --- Painting --- History of civilization --- drawing techniques --- Symbolist --- tekentechnieken --- symbolisme --- Delville, Jean --- Ensor, James --- Khnopff, Fernand --- Spilliaert, Leon --- Smits, Jakob --- Mellery, Xavier --- Minne, George --- Rops, Félicien --- Velde, Van de, Henry --- Woestyne, van de, Gustave --- Lemmen, Georges --- Degouve de Nuncques, William --- anno 1800-1899 --- Belgium
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Tordoir, Narcisse --- Painting --- Symbolism in art --- Assemblage (Art) --- Peinture --- Symbolisme dans l'art --- Exhibitions. --- Exhibitions --- Expositions --- Tordoir, Narcisse, --- Interviews --- Antwerpen --- Art --- Exposition --- authors Cyril Jarton, Wim Peeters, Philippe Pirotte, Anne-Marie Poels --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- schilderkunst --- Tordoir Narcisse --- installaties --- Beckett James --- De Decker Koen --- Neirings David --- Soi Praneet --- Hautman Bruna --- Praneet Soi --- Koné Brehima --- 7.071 TORDOIR --- 7.039 TORD --- 7.07 --- Tordoir, Narcisse °1954 (°Mechelen, België) --- Beeldende kunst ; N. Tordoir ; samenwerking met andere kunstenaars --- Belgische kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Contemporary [style of art]
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